Ivywild Music presents Joe Pug and Anais Mitchell live in the Ivywild School Gym!
Saturday, April 29th
Doors @ 7:00pm
Show @ 8:00pm
Tickets: $18 advance / $20 at the door
If the opening notes on Joe Pug’s new LP “Windfall” are a bit disorienting, his fans won’t likely be surprised. The Austin, TX singer songwriter has made a habit of defying expectations so the piano-driven “Bright Beginnings” and the atmospheric rumination of “Great Hosannas” are just further indication that he’s quite comfortable stepping outside of the guy-with-a-guitar trappings of the genre.
The theme of resilience plays a central role throughout Windfall. The weary protagonist in “Veteran Fighter” wills his way further down the highway despite the gloom that seems certain to overtake him. “The Measure”, a song inspired in part by Frederic Buechner’s novel Godric, marvels at “every inch of anguish, laid out side by side” but ultimately finds that “All we’ve lost is nothing to what we’ve found.” “I never really write songs with a specific narrative in mind,” Pug explains. “When you’re sort of pushing through a dark period of your life it’s probably inevitable that some of that is going to find its way onto the page. But in the same way, by the time we were in the studio the process had become very effortless and joyful. And hopefully you can hear a lot of that on the record as well.” This duality appears perhaps most overtly in the album-closing stunner “If Still It Can’t Be Found”, which features Pat Sansone of Wilco guesting on mellotron.
“Mitchell is a skilled storyteller…and her delivery gives an emotional complexity that welcomes and even demands repeated listens.” Pitchfork
“Currently a well-kept secret, Mitchell is writing material that stands comparison with the great singer-songwriters of the past few decades” Daily Telegraph
Anaïs Mitchell is first and foremost a storyteller. As a Vermont- and Brooklyn-based singer-songwriter, Mitchell recorded for Ani Difranco’s Righteous Babe Records for several years before starting her own Wilderland label in 2012. Among her recorded work are five full-length albums, including 2010’s sensationally-reviewed Hadestown– a folk opera based on the Orpheus myth– and 2012’s Young Man in America, which was described by the UK’s Independent as ‘an epic tale of American becoming’. Mitchell has headlined solo and band performances worldwide as well as supporting tours for artists like Bon Iver, Ani Difranco, and the Low Anthem (all of whom appear as guest singers on Hadestown). If there’s a common thread in Mitchell’s work– from her earliest acoustic records, to the opera, to this new chapter– it’s that she’s as interested in the world around her as the one inside her. She has a way of tackling big themes with the same emotional intimacy most artists use to describe their inner lives. “That’s why,” as one journalist put it, “there’s a sexual ambiguity about her work and why, even in her most intimate moments, she never sounds like a confessional songwriter.”